Showing posts with label DZINE. Show all posts
Showing posts with label DZINE. Show all posts

July 3, 2012

ANDO vase for Venini now at DZINE






















DZINE is pleased to announce that the "ANDO" vase designed by Tadao Ando for Venini is now on display at the showroom.  An absolute synthesis between shape and chromatism, "ANDO" is the perfect evidence of  the ability in works of glass.
























We originally did a post on the "ANDO" vase a year ago here as it was designed for the celebration of Venini's 90th anniversary.
























We hope that you will visit the showroom soon to see the "ANDO" vases in person as well as many other pieces from Venini's ArtGlass and ArtLight collection currently on display.

June 26, 2012

Gyöngy Laky now at DZINE





































DZINE in collaboration with Cain Schulte Contemporary Art is pleased to present Gyöngy Laky.
























Gyöngy Laky presents a series of work examining our complex relationship with nature.  Sculptural vessels are made of painted and stained branches and twigs combined with screws, nails, and wires.  The organic essence of the natural wood contrasted with the spiky industrial elements draws upon the ambivalence of the natural and artificial, organic and industrial, and encapsulates co-existing feelings of violence and serenity, aggression and sanctuary.












































Born in Budapest, Hungary, in 1944, Gyöngy Laky studied at UC Berkeley where she earned both her B.A. and M.A. degrees (B.A., 1970 and M.A., 1971). She has exhibited in museums and galleries throughout the United States and internationally in France, Sweden, Italy, Spain, Denmark, Holland, Switzerland, Hungary, Lithuania, Colombia, the Philippines, China, and England.
























A past recipient of a National Endowment for the Arts Fellowship, and a Professor Emeritus at the University of California, Davis, Laky’s work is in museum collections in Europe and the United States, including the San Francisco MOMA, The Smithsonian’s Renwick Museum of American Art, the Philadelphia Museum of Art, the Oakland Museum, and the Contemporary Museum in Honolulu.











































An artist, academic and activist (all encouraged during studies at UC Berkeley), I engage subjects of particular and on-going concern to me using hand constructions as my primary vehicle of expression. I build pieces in the architectural spectrum. Environmental concerns are obvious in my sculptures and temporary site-specific works composed of orchard, park and street tree prunings from the tons of debris available as growers and gardeners trim and dump (or burn). With these exquisite hardwoods, I play with the question, “What is waste?” What is, and is not, garbage or is considered useless, is both intriguing and problematic. The specific choices I make selecting materials and structuring forms allow me to experiment with intent and attitude, extending and altering possible responses. The juxtapositions of screws and branches or toothpicks and charcoal, address the edgy relationships and flux of human interactions with nature. With language works, incorporating words and/or signs, I borrow from the concrete poets and their visual poetry -- that physical attributes, pattern or arrangement enhances meaning. Transforming wall works and basketry into vessels for meaning lends itself to associating pieces with issues beyond just my worry about the rising threat to our environment. The word/symbol works, particularly, have allowed me to present more strongly the activist part of my life associated with such concerns as gender equity, diversity, economic upheaval and, after March of 2003, with my opposition to militarism and our wasteful and tragic wars. I support the Occupy Wall Street movement.





Below are more of Gyöngy Laky's works.







Gyöngy Laky working in her studio on her words collection piece "NO".






To check out her website go here.

June 15, 2012

New Window Display at DZINE

Published on dwell.com

June 01–September 09
Dzine, 128 Utah Street, San Francisco, California











If you find yourself in the San Francisco design district be sure to stop by DZINE, where a new display by Gensler featuring the FLOS Minikelvin lamp is brightening its storefront. The display is entitled "Light, Liberty, and the Pursuit of Happiness" and features cutouts of an elephant and donkey surrounded by a heart-shaped series of the Antonio Citterio–designed lamps in what Collin Burry, Principal at Gensler, describes as "a big bipartisan smooch." In addition to the Minikelvin, DZINE stocks the Piani, D’E-Light, and Miniteca by FLOS.

More info: dzinestore.com

You can find the original article here.

June 12, 2012

Gensler SF Curates FLOS Window Display at DZINE

officenewswire


5.30.12 | San Francisco, CA | DZINE, San Francisco’s leading retailer of high-end, modern furniture, is pleased to announce a new window display curated by Gensler SF in the FLOS section of the showroom. Collin Burry, Principal at Gensler SF, led the team and selected FLOS’s new Minikelvin LED lamp, designed by Antonio Citterio, for the display entitled “Light, Liberty and the Pursuit of Happiness.” The design represents the political ideal of the Republican and Democratic parties working together to lead the country more efficiently.















“DZINE, FLOS and Gensler help put the symbols of the political parties, elephant and donkey, head to head in a big ol’ bipartisan smooch,” said Burry. “What better way to illuminate this lovely union than a heart of Minikelvins, a light source for all no matter your affiliation.”

The Minikelvin LED lamp is a pint-sized version of FLOS’s best-selling Kelvin LED lamp by Antonio Citterio. Featuring all of the technologically advanced aspects of its predecessor, the Kelvin LED, including an on/off switch with Soft Touch technology (touch sensor), light flow adjustment to 2 intensities (100%, 50% and 0%), an adjustable head and a fused aluminum alloy body in chrome, this mini version has an arm length of 11.81” and weighs just 1.76 lbs.






















“We are thrilled to have Collin Burry and the Gensler SF team contribute this latest design to the FLOS window, incorporating FLOS’s Minikelvin LED lamp,” said Cardenio Petrucci, Co-owner of DZINE. “Gensler selected a very apropos theme for the display, which will be debuted prior to the anticipation of the presidential election.”

DZINE will unveil the new window display at a private event on Wednesday, May 30th, 2012 from 5:30-6:30 pm at their showroom (128 Utah St., at Alameda St.). Burry and other Gensler SF team members will be on hand at the event to answer any questions about the display.

















Gensler SF team in front of their window display entitled “Light, Liberty and the Pursuit of Happiness.”


FLOS opened its San Francisco store inside the DZINE showroom in November 2011 with FLOS classics such as Arco, Taraxacum and Toio by Castiglioni, as well as new favorites such as the elegant Wallpiercing, part of the Soft Architecture line, the simplistic Lightspring and La Linea, and the inventive Miniteca table lamp, all designed by Gilad; the Ktribe by Philippe Starck; Glo-Ball by Jasper Morrison; Skygarden and Zeppelin suspension lamps by Marcel Wanders and, of course, Antonio Citterio’s Kelvin LED and Minikelvin LED lamps. The initial FLOS window display featured the Piani lamp by Ronan and Erwan Bouroullec and was designed by renowned interior designer Nicole Hollis.

Read original article here.

May 11, 2012

Fashionable chairs

Chairs of 7 S.F. fashion schools tell what's new

San Francisco Chronicle - Sunday, May 6, 2012
written by Sylvia Rubin






















Design school chairs: Bo Breda (front) and Amy Williams; (middle row) Nancy Rabolt, Gladys Perint Palmer, Mary Stephens; (back) Diane Green, Suzy Furrer. 


Some of the best trend spotting in town can be found on the corners of Polk and Eddy, Fourth and Mission, or Eighth and Hooper, where fashion students gather during breaks, many wearing their own designs or inventive thrift store finds. They're everywhere, from Dogpatch to Ocean Avenue.

San Francisco is home to seven schools with fashion degree or certificate programs, run by seven veteran industry insiders. These women craft their curricula as carefully as a designer constructs a jacket.

Responding to the popularity and influence of personal style blogs, some chairs recently added wardrobe-styling classes.

When the economy began to tank, says Simon Ungless, director of the school of fashion for the Academy of Art University who works under Executive Director Gladys Perint Palmer, "Gladys knew we had to start bringing in more instructors in traditional hand work, like embroidery and beading, because craft and quality were going to become more important to both designers and customers. We recently added a class in how to build a classic ballet tutu, and students are just flooding into that class."

This month, with the annual spring student runway shows in full swing as the collective Class of 2012 heads out the door, we thought it was a good time to talk to the fashion departments chairs form one end of town to the other.





















Gladys Perint Palmer
Academy of Art University, fashion school executive director since 1995


When did you begin your fashion career?
When I was 3 years old and started drawing.

Proudest fashion teaching moment?
When a student learns to see, not just look.

Recent improvements to your curriculum?
We've recently opened classes for a fashion marketing, promotion and PR program, and increased class offerings in visual merchandising and styling and added to our CAD curriculum for all fashion disciplines.

New design trends from current graduating class?
Designers are very focused on developing unique skills such as beading, embroidery, hand knitting, tailoring and millinery as well as becoming proficient in the use of technology such as laser cutting and digital printing.

Bryanboy, "Project Runway," Polyvore: Bring it on or give it a rest?
I have no idea...never follow (what is Polyvore)? Our students learn the traditional way: they must cut, sew and draw.

Favorite recent fashion purchase?
White blouse with interesting collar form Saks Fifth Avenue.

Stats: Approximately 2,700 fashion students. More than 40 locations. Fashion classes held at 626 Polk St., 180 New Montgomery and 2300 Stockton St. Tuition: $8,880-$10,080 per semester. Only university to show student collections at New York Fashion Week.


Spring show: Held Thursday, the Cannery, 2801 Leavenworth St.. About 30 fashion department students and several fine arts sculpture students (accessories) participated. Videos and photos on youtube.com and academyart.edu.






















Suzy Furrer
Apparel Arts Fashion Design and Patternmaking School, director since 1996


When did you begin your fashion career?
In the mid-'80s, I bought a knitting machine and started making shrunken cardigans and interesting twisted knit sweaters. i sold to local boutiques and received some recognition from fashion magazines. And later I got hooked on balancing the creative end with the business end. 


Proudest fashion teaching moment? 
I'm always proud when a student presents their eight-piece collection.

Recent improvements to your curriculum?
I've added more patternmaking classes, so there's less of a wait list. We've taken more space for smaller lecture-demo classes.

New design trends from current graduating class?
I'm seeing more focus on sustainable fabrics and more attention given to the effects of fabric finishing on the environment. I also notice and encourage dialogue about how to balance disposable fashion and the slow fashion movement.

Bryanboy, "Project Runway," Polyvore: Bring it on or give it a rest?
I feel we're hitting a saturation point, but I do encourage my students to watch "All on the Line," with Joe Zee (Sundance channel), which focuses on the business end of the apparel industry. There's money to be made and a lot of money to be lost if you're not savvy.

Favorite recent fashion purchase?
My H&M Marni black/gray long polka dot coat purchased on ebay. I love the short sleeves and the darts near the back hemline. It is simple yet clever and perfect for our climate. I can see wearing it all year round.

Stats: Non-accredited, year-round classes. Tuition: approximately $7,500 to $10,000 for the 24 to 36-month program. Approximately 150 students enrolled who must produce an eight-piece fashion collection for their instructors and another 15-20 who take one-off classes. 2325 Third St., S.F., www.apparel-arts.com.






















Bo Breda
Art Institute of California, academic director of fashion design since 2007


When did you begin your fashion career?
I began making clothing as a child because my mom made everything we wore. in college I worked as a sample hand for a young designer in downtown Manhattan, the after completing a B.A. in linguistics, I learned to weave and spin yarn. My first job was as a sample weaver in New York's garment center. After five years in textile design, I moved over to clothing design. Using my hands to create fabrics and garments is a magical experience.

Proudest fashion teaching moment? 
A few years ago, a young second-year student showed me his sketches. he was afraid he wasn't ready to apply for the runway show. I took one look at the sketches and told him, "You're ready." He reworked his sketches and began constructing them. He won one of the four scholarship prizes at our show.

Recent improvements to your curriculum?
The faculty, career services staff and I have made the portfolio preparation class into a really powerful place for our students to create a full package of tools for them to go out and besiege the industry. What used to be just a book with sketches and spec sheets is now a website with magazine-quality photo shoots, among other content. We've also beefed up the four textile design classes and worked with the upperclassmen to make collections that are larger and more similar to what a real line is like.

New design trends from current graduating class?
Letely  there's been a lot of interest in relaxed wearable menswear, edgy modern asymmetrical women's wear, and lots of accessories added to the collections. Students realize that in the industry today accessories are often what keep a label afloat.

Bryanboy, "Project Runway," Polyvore: Bring it on or give it a rest?
These are OK for initiating discussions, but that's all. our focus is professional preparation for the industry as it exists today across the globe. Designing denim, children's wear, active wear, shoes and textiles are some of the jobs our future grads will be looking at. We send them on field trips to factories, so they can see how things really are made.

Favorite recent fashion purchase?
A raincoat for the 1960s by the Italian rainwear firm of Fidus. It's a waterproof nylon leopard print, and can be folded up into a pocket. Got it at the Vintage Fashion Expo. Twice a year I find fantastic items for out school's historic clothing collection.

Stats: Eight California locations, with approximately 250 students in San Francisco. Tuition: $5,690-$6,216 per quarter. 1170 Market St., S.F., www.artsinstitutes.edu.


Student-produced spring show: "What's Next: Are You Ready to Wear?" June 16, San Francisco Design Center, Galleria (students are not required to follow the theme). Seventeen designers participating.























Amy Williams
California College of the Arts, fashion program chair since 2007


When did you begin your fashion career?
The moment I graduated from Parsons School of Design in '83. I soon discovered sweater designing - I fell in love with being able to imagine and create the whole garment form the surface textures through the shape, stitch and color flow to the fit and movement on a human form. When I saw my designs on the cover of WWD for the first time, I felt complete satisfaction as a designer.

Proudest fashion teaching moment? 
There are some many. Les Schweikert's call telling me he was appointed design director of Badgley Mischka Couture, the moment that shock and pride lit up Krista Bachmeier's face when a juror told her he wanted to bring her collection into his store immediately - and he did! When Sage Matthews '07 presented me her designer business card for Levi Strauss & Co., or when I received Paloma Von Broadley's text message telling me she was "in" as a designer in residence with SF's new Fashion Incubator program, which began in March.

Recent improvements to your curriculum?
We've added two mandatory curriculum courses in sustainability. Interdisciplinary courses allowing for expanded research into related product fields have been fantastic for creating deeper investigation into local fibers, industrial design/fashion design and gear development.

New design trends from current graduating class?
The collections this year have really smart thinking integrated into their materials, shaping and color choices. I see that the clothing is building with a more investigative voice - real thesis work - curiosity is driving the making rather than trends or market demands.

Bryanboy, "Project Runway," Polyvore: Bring it on or give it a rest?
The curtain has been raised regarding the truths for the career of a designer - the hard work, some of the joy and sorrow; however, the massive amount of "reality" attention has dulled everyone's senses to the real work involved and the time required to learn how to design and build clothing. Not everyone can do this or should do this for a living! My biggest concern id that these shows and sites have made real crafts people seem at times frivolous and silly. Real fashion product is not mad for market in 24 hours!

Favorite recent fashion purchase?
Two Ryan Roberts vests and a great jacket from MAC - they are modern, utilitarian and so easily worn! Then there are my Ellen Verbeek gorgeous green metallic wedges from Gimme Shoes. Why? They're just perfection in the line and material!

Stats: 1111 Eighth St., S.F. Approximately 75 fashion students. Tuition: $18,480 per semester undergrads; $1,285 per unit grads.


Spring show: Untitled, to be held May 11 on campus with 13 students participating. For photos, go to www.cca.edu.






















Diane Green
City College of San Francisco, founder of the fashion merchandising program in 1982; fashion department chair since 2002


When did you begin your fashion career?
In 1966, when I was chosen to be in the merchandising training program of Abraham & Straus Department [now Macy's] in Brooklyn, N.Y. My maternal grandparents worked on Seventh Avenue; my grandfather worked for Pauline Trigere at the time and I wore her designs as a teenager. To this day, I have a hard time putting together casual outfits, as I was so used to wearing high fashion.

Proudest fashion teaching moment? 
They all revolve around former students: When Durand Guion was named men's fashion director of Macy's New York; Teresa Spiers was appointed assistant store manager of Neiman Marcus and Konrad Janus was mande coordinator of special events at Saks Fifth Avenue in San Francisco.

Recent improvements to your curriculum?
A new 16-unit wardrobe styling certificate. This has proved to be one of our most popular programs thus far.

New design trends from current graduating class?
Zippers, repurposing/recycling, a focus on knits and stretch fabrics, body conscious lines, vintage details, layers, playing with volume while maintaining body-conscious shapes and curved lines, combinations of knit with leather and knit with wovens, and "texture blocking" in neutral tones.

Bryanboy, "Project Runway," Polyvore: Bring it on or give it a rest?
On the positive side, these have been a boon to CCSF enrollment. The downside is that students may have unrealistic career expectations. We've seen many students start out in design and then switch to merchandising because design was not what they thought it was.

Favorite recent fashion purchase?
Beige silk tailored peplum jacket by French designer Marc le Bihan, purchased at Les Habitudes in L.A. I love the peplum effect and the heavy silk fabric.

Stats: Tweleve campuses, 563 fashion students. Tuition: approximately $550 (residents) - $2,245 (nonresidents) per semester. 50 Phelan Ave., S.F.; www.ccsf.edu.


Student-produced spring show: "Ethereal Night," 7:30 p.m., May 20, Ruby Skye, 420 Mason St. Forty students participating.



















Mary Stephens
Fashion Institute of Merchandising and Design (FIDM), founder and director of fashion department since 1970


When did you begin your fashion career?
I had my own fashion business before I got the job to develop the fashion program, and I'm still here.

Proudest fashion teaching moment? 
I haven't taught for many years, but I was very proud when Leanne Marshall, a FIDM S.F. graduate, won "Project Runway" in 2009.

Recent improvements to your curriculum?
A "Special Projects" class for seniors in which they are recommended by a faculty member, present a portfolio and finished garment to an industry and internal panel. Each will design a four-piece collection using the same theme. This year, the Jean Paul Gautier exhibition at the de Young is their inspiration.

New design trends from current graduating class?
Bright colors were an important factor. And I'm seeing that students use today's technology with fabrics that literally light up, along with washable metallics. Overall individualism is still the dominant trend.

Bryanboy, "Project Runway," Polyvore: Bring it on or give it a rest?
All influences are good for students in determining their own path to a fashion career, but a formal and informal education in principles of design and technical academics must still be learned.

Favorite recent fashion purchase?
A beautiful structured purple wool Marni coal with a stand-alone collar and a bow, I found at the Marni outlet store in Cabazon, near Palm Springs.

Stats: Four California campuses; 293 fashion design students in S.F. (1,600 total). Tuition: approximately $25,600 per year.


Spring show: "Debut" was held March 16 in Los Angeles and will be in San Francisco on Nov. 17. Show and open house, 11 a.m. to 1 p.m., on campus, 55 Stockton St.; 26 students participating. www.fidm.edu.






















Nancy Rabolt
San Francisco State University, Consumer and Family Studies chair since 1998


When did you begin your fashion career?

I learned how to sew and design in 4-H when I was very young. My mother said she would purchase the fabric if I made something, but I had to pay for anything store-bought, so I did a lot of sewing.

Proudest fashion teaching moment? 
I'm most proud of our Apparel Design & Merchandising faculty in the department who work with out students to produce such professional shows each year. Students learn leadership, team building and organizational skills, develop contacts and add wonderful images and content to their portfolios.

Recent improvements to your curriculum?
This past year, despite budget cuts, we added an elective for all programs in the department: Sustainability in Textile, Housing, and Food industries. Sustainability is a major value and thrust of all our programs. E-portfolios, which students create in their Professional Development class, have been a wonderful way to showcase their work.

New design trends from current graduating class?
There's a real sense of self coming through their designs, less emphasis on fashion trends and more emphasis on a cultural or historical trends. Colors are more neutral and dark with an exaggeration of silhouette.

Bryanboy, "Project Runway," Polyvore: Bring it on or give it a rest?
"Project Runway" and "Fashion Star" give students a critical perspective to evaluate designs. We were very proud watching Christopher Collins, one of our alums, on "Project Runway." Our students get their news from Twitter, read and write blogs, sell their one-of-a-kind designs on Etsy, and carry their smart phones as required accessories. Educators and industry cannot escape this movement; they should embrace it.

Favorite recent fashion purchase?
A hand-painted silk kimono from Kings Mountain Art Faire in Woodside.

Stats: Approximately 400 fashion majors. Tuition: $1,600-$2,700 per semester. 1600 Holloway Ave., S.F. sfsu.edu.


Spring show: "Runway 2012: Defined" held Thursday, San Francisco Design Center, Galleria. Approximately 30 students participated. To see photos, go to www.sfsu.edu.


photography by Russell Yip
location: DZINE, 128 Utah St., San Francisco, CA 94103

To read the full length article go here.

September 20, 2011

DZINE Introduces Matteograssi and Bonacina

DZINE is pleased to announce the arrival of the new Matteograssi and Bonacina products to our showroom.  DZINE is excited to be the exclusive representative for these two great furniture companies, both under Matteograssi Spa, that have a rich history and heritage in fine furniture making.








The history of Matteograssi began in Mariano Comense, a small town situated in a small area called Brianza, located in Lombardy, a region of northern Italy, where the head of what was to become a dynasty of leather craftsmen opened a workshop in 1880.

The sign over the entrance read “Saddlery”. Inside, the Grassi family - Matteo and his wife, and later on, his sons - would carefully craft articles made of coach hide, such as saddles, bridles, reins and the full harness which horses need for work and transport. At the time, the Brianza district was mostly a farming area, and the Grassi family business adapted to the needs of an agricultural economy in which the ability of the craftsman, and his skills in coming up with solutions, were the key to success.


















At the end of the Second World War, the family business took on a different character. Brianza started to become one of the liveliest industrial furniture areas in Italy, and the Grassi family paid close attention to the changes that were occurring. From the 1950s to the ‘70s, thanks to their lengthy experience crafting fine saddlery, the family began producing coach hide components for other companies and their many customers included almost all of the most celebrated names in furnishings. As this work was performed, contact was made on a daily basis with designers and architects who would follow the various steps in the production process. Thus, the family developed a passion for design, along with a special talent and style, which ultimately led to the decision to found the Matteograssi company in 1978 and create its own line of furnishings.

The first item bearing the company’s name was the ‘Korium’ armchair by Tito Agnoli, an immediate success that brought the creativity of this small, dynamic firm under the spotlight. Since then, Matteograssi has enjoyed uninterrupted success and growth. After more than hundred years in business, its name is now found at international airports such as Dubai, Kiev, Rome, Paris, Athens, Beijing and Djakarta, amidst millions of people travelling daily. Although the old saddlery seems to have little in common with a company that is known the world over, there is a strong bond between the two. That bond is coach hide itself...and much more. The 19th century farms in Brianza and today’s futuristic airports in steel and glass are linked by the production skills of craftsmen who intelligently follow changes in taste and in the economy adapting their knowledge and experience to the needs of the present.




September 13, 2011

New Moroso Display

DZINE is pleased to announce the arrival of our new Moroso display to our showroom.  Showcasing some of our favorite Moroso pieces as well as some of the latest designs introduced at the 2011 Salone del Mobile in Milan.




'Lowland' sofa detail
































'Klara' armchairs designed by Patricia Urquiola and 'Twist Again' stools designed by Karmelina Martina

















'Fergana' side tables and 'Redondo' armchairs designed by Patricia Urquiola






'Bohemian' sofa designed by Patricia Urquiola































'Lowland' sofa designed by Patricia Urquiola

September 12, 2011

DZINE Contract Division

DZINE Contract has grown out of the highly successful residential segment of the DZINE business. Eve and Cardenio Petrucci, founders of DZINE, have been selling and designing interiors projects for over 10 years. Their showroom has grown to 15,000 sq ft and their sales team applies the high level of hands on service that is synonymous with all aspects of work that DZINE does.


DZINE Contract supplies a wide range of high quality, contemporary, internationally designed furniture and lighting to architects, designers and corporate clients including offices, restaurants and bars, hotels and condominiums, department stores, museums, theatres and airports. In addition, we offer several outdoor lines as well as many products available for quickship. We deliver and manage projects on time and on budget in the United States and abroad. We are customer focused and provide excellent after-sales support.

Through our broad supplier network, combined with the experience of the dedicated DZINE Contract team, we can help provide imaginative and exciting solutions which are also practical and cost efficient.

Please visit our showroom at 128 Utah St to view the wide selection of contract furnishings and lighting available through DZINE or contact Samantha Hartley Hewitt at samantha@dzinestore.com.















Samantha Hartley Hewitt





















Lines:


Artek

Agape

Boffi

Bonacina

Established and Sons

Flexform

Flos

Gervasoni

Kartell

Living Divani

Matteograssi

Moroso

Paola Lenti

Porro

Venini

Viccarbe

Vitra

Zanotta